Once an order has been placed, it is up to me to properly
prepare the images to the specifications needed for the individual lab that
will be handling the post processing work.
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Light Meter. I use this to calibrate each camera/lens combo, and also to create perfect exposures in the camera room. |
Now, some may say – “Tim, why don’t you print things
yourself?”
Ah, good question.
My answer is this:
I want to spend as much time as I can doing
what I do best – creating great images, and designing the end products.
I know a bit about printing, and I also know
enough that I would have to hire a full staff, open a much larger shop, or
off-site building just to handle print orders.
I also know that there is a multitude of equipment to buy (and provide
upkeep for), and then I would have to oversee all of the quality control for
those things.
By having a professional
lab handle my orders, I am left with more time to spend with clients, creating
images that they are going to love, and finished art pieces for their home that
are going to be displayed for a lifetime.
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White/Grey Card. Got to keep that white balance accurate! |
Back to the topic – Processing an order. So, once an order is placed, I have to
properly prepare everything for the print lab.
Back up a step. Before I even get
into the camera room, I have to make sure all of my equipment is properly calibrated
for the labs that I use, this ensures that all final images (which are to
become art prints) have a perfect representation of true color and exposure.
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xRite Color Checker. This allows me to create custom color profiles at each shoot - ensuring true color accuracy, and perfect prints each time. |
Right, back to the topic – Processing an order.
OKAY – so I’ve got my cameras and monitors
calibrated, we did the photo session, I processed the images, the clients came
back to review everything and put in an order.
Lets say they ordered a wall collage, a canvas, a pop-out holiday card set, and
some ornaments.
Typical order.
So, to get started, I have to make digital
copies of each image that is going to be sent to each lab, with the right color
profile assigned to that image.
During
the color profile assigning part of the task I also size the image with the ideal
resolution for the specific product it is going to be printed on.
SO – for the order above, the wall collage
could have (3) 5x5s, (2) 11x17s, and a 5x11.
Each image will be sized to the exact dimensions with the proper
resolution.
Now – to make things tricky,
the canvas could be one of the images from the collage, and then used again for
the greeting cards an ornaments...
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Spyder4 Elite. This tool allows me to calibrate my computer monitors and projector - this way I know that what I am looking while editing is going to be accurate and true to what my final printed product is going to be. |
This means that for the 3 separate products using the same
image I will process that one image 3 separate times (which may mean 3
different color profiles for each lab, as well as different sizing to match the
appropriate printing surface) to make it perfect for each product. And yes – it may be going to 3 different
labs! I use one lab for the metal wall
collages, another lab that specializes in canvas gallery wraps, and then yet
another lab that has the best press printed cards I have ever seen. SO, it isn’t just merely taking an order and
pushing “send”. I’m spending some
serious time preparing the files for the lab to ensure that everything is going
to come back looking PERFECT.
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