Skip to main content

I Failed...

There were about 20 imagesfrom this batch that were total and utter
failures!  I knew the spot had some 
great potential, but I wasn't sure how
everything would look once I got back
to the studio to edit everything.
To make the photo,
I found this neat old fire escape, and began
experimenting with it.  I had to make shade
from the sun, and then bring in some lights.
I tossed an orange gel over the hair light,
and used one key light to the left of
the subject.  I just experimented with light
and shadows, and we had fun at the session.
Turns out that those 20 failed images were
totally worth it, because this one is great!  
I make it a point to fail at something during every photo session or wedding.  WHAT! ?  Yep.  I know I’m going to do it – I’m going to make an image that is terrible.  I am always trying new things – new ways to direct people, to pose people, new ways to play with light and exposure, to compose an image, new ways to put multiple images into a single composition… the list goes on and on.  This means that I am going to fail, and fail often.

Failing is a huge part of success, discovery, and growth as a photographer.  If I only stick to what I know makes an excellent photo, then I will never make something extraordinary.  I know that I want to make the best images, which are unique to and for the people I am working with - and that requires me to experiment all the time.  I have a core of key compositions and poses that I use (I call those the "safe" images) because I know they will work, which ensures that clients are going to be happy, just incase whatever I try thats new ends up being a flop.  I don't tell them that I may be creating a crap photo though... I just do it.  Honestly though, 70% of the time the images that are out of the normal realm of "safe" poses/lighting/composition setups are the ones that my clients love the most, and end up putting on their walls.





I thought I'd try something new at this wedding.  I saw this
beautiful field of ferns, and a natural tunnel created by
pine trees.  I had this vision of a sunset being in the photo...
only problem was that it was a cloudy day and the sun
was directly over our heads.  So I decided to experiment a bit,
and this is the image I came up with.
I knew that I wanted a composition with drama and tension,
so I framed it with the bride slightly off center facing
the short side of the frame instead of into the big area
of the frame.  Then I created a sun, and did a bit of
dodging and burning in PS5 to add depth.
I had tried this technique 2 times before, and it was a total epic
failure, but I was determined to make something amazing.
I love this image! 

Comments

Popular posts from this blog

So You Want To Be A Photographer?

Are you interested in becoming a photographer?  Do you want to turn your passion for creating images into a source of income to support yourself and your family? Tim Walck Photography will soon be offering online courses in photography training, and portrait business training.  Each course will span 4-8 weeks.  Every student who participates in all classes will gain the tools necessary to succeed in the wedding and portrait photography business. ---- I started my photography business with only $2,000, which I had saved from working as a tele-marker, social services provider, and substitute teacher, all while being a full time graduate student at Mansfield University.  That was enough to buy a camera, lens, and flash.  I poured my heart and soul into photography, read everything I could get my hands on, and began to build my business.  After 3 short years of juggling multiple jobs, and being a photographer on the side, I made the leap into phot...

Black and White - Conversion VS Infrared, See the Difference.

Digital Black and white photography can be created through many techniques.  You could use the Instagram app and click a pre-made filter,  use a more advanced software program like Adobe Lightroom or Photoshop, convert it directly inside your camera body, screw on an infrared filter to the front of your lens and convert it to black and white post production, or convert a camera to only capture infrared light.  Today I'm just going to explore my two favorite methods: 1) Using an infrared converted camera. 2) Converting images in Adobe Lightroom. So what is the difference between the two methods? A color image that is converted to black and white allows you lots of control over each color channel.  This is handy if you want to make different colors stand out by being brightened or darkened in your final black and white image. An image that is captured from infrared light has much less control over colors as the only colors captured are tones of red.  Ho...

Most Important Gear.

I am often asked, "Tim, what is your favorite piece of gear?" Well - yesterday I got asked a new one!  "Tim, what is your most important piece of gear?"  So, I thought about it for a minute.  I realized that there is no camera, lens, flash, or light modifier that is more important than one thing.  That thing is me .  NOT that I'm implying that I am a tool ;) (Though I do have a ridicules shirt that says "Tim's tools, if you need a tool, grab Tim's!")  I could use a polaroid camera, disposable film camera from the local pharmacy, or even my iPhone, and I know that I could make great meaningful images.  There is just no piece of equipment more important than the artist's vision, and skill for creating it - which comes from lots of hard work, experience, and dedication.  I may pack a bunch of gear, and have many tools at my disposal, but ultimately the image is made by me, not a camera. With all that being said - there are som...