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There were about 20 imagesfrom this batch that were total and utter failures! I knew the spot had some great potential, but I wasn't sure how everything would look once I got back to the studio to edit everything.To make the photo, I found this neat old fire escape, and began experimenting with it. I had to make shade from the sun, and then bring in some lights. I tossed an orange gel over the hair light, and used one key light to the left of the subject. I just experimented with light and shadows, and we had fun at the session. Turns out that those 20 failed images were totally worth it, because this one is great! |
I make it a point to fail at something during every photo
session or wedding.
WHAT! ?
Yep.
I
know I’m going to do it – I’m going to make an image that is terrible.
I am always trying new things – new ways to
direct people, to pose people, new ways to play with light and exposure, to
compose an image, new ways to put multiple images into a single composition…
the list goes on and on.
This means that
I am going to fail, and fail often.
Failing is a huge part of success, discovery, and growth as
a photographer. If I only stick to what I know makes an excellent photo, then I will never make something extraordinary. I know that I want to make the best images, which are unique to and for the people I am working with - and that requires me to experiment all the time. I have a core of key compositions and poses that I use (I call those the "safe" images) because I know they will work, which ensures that clients are going to be happy, just incase whatever I try thats new ends up being a flop. I don't tell them that I may be creating a crap photo though... I just do it. Honestly though, 70% of the time the images that are out of the normal realm of "safe" poses/lighting/composition setups are the ones that my clients love the most, and end up putting on their walls.
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I thought I'd try something new at this wedding. I saw this beautiful field of ferns, and a natural tunnel created by pine trees. I had this vision of a sunset being in the photo... only problem was that it was a cloudy day and the sun was directly over our heads. So I decided to experiment a bit, and this is the image I came up with. I knew that I wanted a composition with drama and tension, so I framed it with the bride slightly off center facing the short side of the frame instead of into the big area of the frame. Then I created a sun, and did a bit of dodging and burning in PS5 to add depth. I had tried this technique 2 times before, and it was a total epic failure, but I was determined to make something amazing. I love this image! |
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